PROMPTS FOTOS FLOTANDO CON IA
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Photorealistic surrealist editorial photograph. Use the provided character reference image — preserve exact outfit, skin tone, proportions precisely. A classic rectangular glass and metal phone booth — fully intact, old urban utility style, clear glass panels, metal frame, slightly worn and aged — floating 3 to 4 feet above flat concrete pavement. Clear visible air gap between booth base and ground. The character
stands inside the phone booth — fully visible through the clear glass panels. Standing relaxed, one hand holding the telephone receiver loosely at ear level, other hand in pocket. Calm, unbothered expression. Telephone cord dangling loosely below the receiver. 4 to 5 pigeons frozen mid-flight in still air around the floating booth — wings spread, suspended in time, different heights and angles. Not chaotic — calm and quiet frozen moment. BACKGROUND: Large flat raw concrete brutalist wall fills entire background. Flat concrete pavement ground visible at bottom with clear air gap. LIGHT: Flat soft overcast natural daylight — no harsh shadows, completely even and quiet. COLOR: Muted desaturated palette. Character outfit only color variation. Pigeons natural grey. CAMERA: Perfectly straight on — no tilt. Full body shot — entire phone booth visible, character fully visible through glass. Centered. Shot on 35mm. Surrealist fine art photography. NOT illustration. NOT CGI. Photorealistic.
08 SCENE — BRUTALIST WALL, FLOATING G
Photorealistic surrealist editorial photograph. Use the provided character reference image — preserve exact outfit, skin tone, proportions precisely. The character stands upright and relaxed on a large rectangular vintage mirror that floats horizontally in mid-air — 3 to 4 feet above flat concrete pavement. Mirror face pointing upward, character standing directly on the glass surface. Feet and mirror completely off the ground — clear visible air gap beneath. Character arms loose at sides, looking straight ahead, completely calm. Mirror is large — wider than the character’s shoulders, ornate aged gold rectangular frame, tarnished and worn, real glass surface reflecting character’s boots and legs from below. BACKGROUND: Large flat raw concrete brutalist wall fills entire background — raw grey surface, rough texture, faint weathering marks. Flat concrete pavement ground visible at bottom with clear air gap. LIGHT: Flat soft overcast natural daylight — no harsh shadows, completely even and quiet. COLOR: Muted desaturated palette. Aged gold mirror frame only warm accent. CAMERA: Perfectly straight on — no tilt. Full body shot — character fully visible, floating mirror and air gap visible. Centered. Shot on 35mm. Surrealist fine art photography. NOT illustration. NOT CGI. Photorealistic.
Photorealistic surrealist editorial photograph. Use the provided character reference image — preserve exact outfit, skin tone, proportions precisely. The character is seated casually on a simple old wooden chair floating 3 to 4 feet above flat concrete pavement — feet and chair legs completely off the ground with visible empty air gap beneath. Body completely relaxed — one arm resting on chair armrest, other hand loose on lap, legs uncrossed and natural. Posture calm as if sitting normally despite floating. The wooden chair has no support beneath it — simply existing in mid-air. Chair is simple, worn, old — chipped paint, visible wood grain, slightly aged. BACKGROUND: Large flat raw concrete brutalist wall fills entire background — rough aggregate texture, faint weathering stains running vertically. Flat concrete pavement ground visible at bottom with visible air gap. LIGHT: Flat soft overcast natural daylight — no harsh shadows, completely even and quiet. COLOR: Muted desaturated palette — raw grey concrete tones. Worn wood of chair only warm accent. CAMERA: Perfectly straight on — no tilt. Full body shot — character fully visible including floating chair and air gap. Figure centered. Shot on 35mm. Surrealist fine art photography. NOT illustration. NOT CGI. Photorealistic.
Photorealistic surrealist editorial photograph. Use the provided character reference image — preserve exact outfit, skin tone, proportions precisely. A single free-standing door floating high — 6 to 7 feet above flat concrete pavement — completely detached, no wall, no frame, no building, nothing holding it. Just one door existing alone high in mid-air. All four edges of the door are free — concrete wall visible on all sides around it proving it is attached to nothing. Door is tall, heavy, dark aged wood — deep near-black tone, heavily weathered and peeling paint, old tarnished brass handle. Door is swinging open — caught mid-motion, open at 45 degrees. The character is mid-step coming through the open doorway — one leg already through the threshold stepping out, body turning forward, one hand still gripping the door edge behind them. Head up, looking straight ahead at camera — calm, unbothered, confident. As if they just walked through a door that leads from nowhere into nothing and this is completely normal. Character also floating at same elevation as the door — feet 6 to 7 feet above concrete pavement below. Massive clear empty air gap between character feet and ground far below. BACKGROUND: Large flat raw concrete brutalist wall fills entire background — continuous unbroken surface visible clearly around all four edges of the floating door. Flat concrete pavement ground visible far below. LIGHT: Flat soft overcast natural daylight — no harsh shadows, completely even. COLOR: Muted desaturated palette. Near black aged wood door strong dark presence. Character outfit only color variation. CAMERA: Perfectly straight on — no tilt, no side profile. Full body shot — entire floating door visible, character fully visible mid-step through doorway, massive air gap beneath clearly visible. Centered. Shot on 35mm. Surrealist fine art photography. NOT illustration. NOT CGI.
Photorealistic surrealist editorial photograph. Use the provided character reference image — preserve the exact outfit, skin tone, and proportions with total accuracy. The character is clearly levitating — floating 2 to 3 feet above flat concrete pavement, with both feet and white sneakers completely off the ground, leaving a visible air gap beneath them. The body appears relaxed and natural. One arm raised VERY high above the head — elbow fully extended — holding a large very dark green umbrella upright at maximum height. Hundreds of deep red rose petals exploding outward in all directions — frozen mid-air — scattered across the entire wall from top to bottom, flying left, right, up, and down.
BACKGROUND: A large flat brutalist concrete wall fills the entire background — raw grey square tiles, visible grout lines, one door visible on the right edge. Concrete pavement visible at the bottom of the frame. Rose petals scattered across the ground below.
LIGHTING: Soft overcast natural daylight, evenly diffused — no harsh shadows, no dramatic lighting, calm and quiet atmosphere.
COLOR: Muted desaturated palette — warm grey concrete tones. The deep red petals are the only color accent.
CAMERA: Perfectly straight-on — no tilt. Full body shot — character fully visible from head to toe. Figure centered. Calm, still, silent energy. Everything frozen in time. Shot on 35mm. Surrealist fine art photography. NOT illustration. NOT CGI. Photorealistic.
Photorealistic surrealist editorial photograph. Use the provided character reference image — preserve exact outfit, skin tone, proportions precisely. A full single bed — mattress, white bedsheet, one pillow — floating horizontally 3 to 4 feet above flat concrete pavement. The character lies on the bed completely relaxed on their back, arms resting naturally at sides, one knee slightly bent, head on pillow, eyes open staring straight up. Fully clothed in exact outfit — boots, cargo trousers, striped top, cap, green bag still across chest. As if they simply lay down mid-day without changing. Bed floating with clear visible air gap beneath. White bedsheet draping naturally over mattress edges — heavy fabric weight pulling downward slightly. One pillow slightly askew. BACKGROUND: Large flat raw concrete brutalist wall fills entire background — rough aggregate texture, faint vertical weathering stains. Flat concrete pavement ground visible at bottom with clear air gap. LIGHT: Flat soft overcast natural daylight — no harsh shadows, completely even and quiet. COLOR: Muted desaturated palette. Bright white bedsheet only strong contrast. CAMERA: Perfectly straight on — no tilt. Full body shot — entire bed visible including air gap beneath. Character fully visible. Centered. Shot on 35mm. Surrealist fine art photography. NOT illustration. NOT CGI. Photorealistic.