PROMPTS FOTOS CAOS ARTIFICIAL

PROMPTS FOTOS ESTÉTICA ARTIFICIAL

Ingresa a Higgsfield, colocas los prompts correspondientes en Nano Banana 2 y comienzas a crear.

A low-angle medium-full shot captures a young man standing and leaning against a raw, unfinished concrete wall that shows a visible crack and some surface stains. He wears a basic black cotton crew-neck t-shirt, slightly oversized and partially tucked into the pants. Beige high-waisted ultra wide-leg trousers with front pleats and dramatic draping volume. Narrow black leather belt. Black round-toe loafers. Rolex-style watch on the right wrist.

A sculptural medieval-style metallic gauntlet glove covers his entire left arm and hand, articulated at the knuckles with layered armor-like segments catching the light. The lighting is soft, ambient, and diffused, with cool natural daylight spreading across his pale skin and highlighting the metallic accents on his accessories.

The color palette is dominated by monochrome silver, white, and gray tones, creating a futuristic avant-garde aesthetic. Captured with a wide-angle lens that emphasizes vertical lines and creates a commanding silhouette, the photograph has minimal visible digital noise or compression, suggesting a high-resolution digital capture.

The overall atmosphere is powerful, mysterious, and avant-garde, blending fashion editorial with high-concept costume elements.

Use the attached face reference strictly for identity only. Preserve the exact same facial structure, eye shape, nose shape, lips, jawline, skin texture, skin tone, hairstyle, and natural hair color. Do not beautify, stylize, or change the identity.
A wide side-angle shot captures him seated in his office workspace. The camera is positioned slightly diagonally, creating a three-quarter view of both his body and the contemporary desk setup, giving the image a spontaneous and slightly unpolished early-digital-photography feel.
He wears a white dress shirt with rolled-up sleeves, a loose dark green patterned tie, dark green trousers, white socks, and dark green sneakers. In this surreal scene, all of his clothing is actively burning. Realistic flames crawl across the fabric, wrapping around folds with charred edges, glowing heat, blackened material, and intense fire rising up the trouser legs before flickering around the sneakers and socks. Embers fall while thin smoke trails rise.
The office itself is also on fire: flames spread across the dark gray floor, climb the walls, and surround the edges of glass partitions and modern furniture. The CRT monitor, keyboard, coffee mug, and mouse reflect the fire dynamically, while glass surfaces show fragmented, slightly blown-out reflections of the flames.
Lighting shifts into a harsh Y2K-style direct flash aesthetic, flattening parts of the image while creating strong specular highlights on skin, glass, and plastic surfaces. The flames appear partially overexposed with clipped highlights and glowing halos, while shadows fall abruptly and unevenly. Cold flash tones contrast against the saturated warm firelight.
Visible digital artifacts include slight noise in dark areas, mild color banding, compressed tonal transitions, and slightly over-sharpened edges. Motion feels frozen by the flash, making the flames appear sculptural and suspended instead of fluid.
The palette stays rooted in dark grays and desaturated neutrals, interrupted by aggressive saturated oranges and yellows from the fire. Skin tones appear slightly cool under the flash, contrasting with the heat of the flames.
The man maintains a relaxed upright posture with his hands on the keyboard, face fully turned toward the lens, making direct eye contact with a serious, concentrated expression that breaks the fourth wall. His calm demeanor sharply contrasts with the chaotic burning environment.
Captured on an early 2000s digital camera with CCD sensor aesthetics, direct flash, deep depth of field, and strong in-camera sharpening. The mood feels chaotic, surreal, darkly humorous, and documentary-like — a man calmly continuing to work while both he and his office burn around him.

A medium straight-on shot of the model, softly blurred and covered in sculptural black-toned technical desert clothing, performing as a DJ in a surreal minimalist desert landscape, surrounded by 7 snakes slithering around his DJ equipment placed on a sandy table, while his fingers rest on his headphones. The entire scene is set on dry pale sand terrain, with a soft beige sky and zero vegetation.
He wears a sculptural black-toned desert outfit with wrapped solid technical layers, draped sleeves, utility straps, all made of thick opaque fabrics; the snakes are carefully coiled and draped around the setup.
The lighting is BRIGHT and evenly illuminated; direct point-and-shoot on-camera flash creates hard shadow pops and subtle specular highlights, with soft balanced exposure and no vignette, making the textures of the snakes and sand stand out.
The color palette is dominated by sand, taupe, stone, muted ashy brown, and off-white desert neutrals, with no strong accent colors.
The composition is modern full-figure: centered subject, negative space, medium-shot depth, straight-on angle, deep focus, unmanipulated digital camera style, minimal post-processing with slight softness and minimal retouching, maintaining a bright palette and even exposure with no dark corners.
The overall atmosphere is surreal, hypnotic, and editorial.

Ultra-realistic cinematic editorial photograph of
[REFERENCE SUBJECT — adapt face, skin tone, hair, and physique from uploaded reference image], naturally powerful and refined build.

SUBJECT POSE & ACTION:
The subject leans nonchalantly against the nose of a Northrop Grumman B-2 Spirit stealth bomber, back resting on the curved fuselage, arms relaxed, one leg crossed at the ankle. He holds a lit luxury cigarette with a gold filter between his fingers near the jaw, captured while exhaling a long stream of smoke from slightly parted lips. Smoke curls upward into the atmospheric haze. Head tilted slightly downward, eyes staring directly into the camera with a cold, sovereign expression:
“The world is ending and I couldn’t care less.”

He wears luxury gold-frame dark tinted sunglasses lowered slightly on the nose, an immaculate black slim-fit tuxedo, white dress shirt, slightly loosened black bow tie, polished black oxford shoes, and a black leather belt with silver buckle. Jacket open, one hand inside trouser pocket.

AIRCRAFT & FIRE:
The B-2 Spirit fuselage acts as a backrest; cockpit visible above the subject’s head, hyper-detailed stealth coating and panel lines, heat shimmer from exhaust ports, deep shadow cast across the lower body.

A white graffiti-tagged leather sofa burns intensely beside him, casting orange reflections across the grass and aircraft belly while embers float through the air.

DRAMATIC LIGHTING:
Primary — cigarette ember creates a subtle warm glow on fingertips and jaw.
Secondary — burning sofa casts intense flickering orange chiaroscuro lighting across the face.
Tertiary — a nuclear explosion on the horizon creates cold amber-gray rim light outlining the silhouette.

Cockpit instruments emit cold blue-teal underlighting. Volumetric smoke from the cigarette and burning sofa merges in the air. God rays cut through haze with anamorphic lens flares on gold frames and aircraft metal edges.

ENVIRONMENT & BACKGROUND:
Open scorched field, burned tall grass, rolling hills, massive nuclear mushroom cloud with lightning inside, apocalyptic purple-black storm clouds, atmospheric shockwave distortion.

CINEMATIC COLOR GRADING:
Crushed blacks, zero fill light, warm ember glow, saturated fire oranges and blood reds in foreground, cold ash-gray and toxic amber horizon tones, desaturated greens, film grain, anamorphic flares.

Shot on medium format camera, 85mm lens, f/1.4, ultra shallow depth of field, distant treeline bokeh. 8K hyper-detailed photorealism.

Vogue Men × Dystopian Noir × High Fashion editorial.

Use the attached face reference strictly for identity only. Preserve the exact same facial structure, eye shape, nose shape, lips, jawline, skin texture, skin tone, hairstyle, and natural hair color. Do not beautify, stylize, or change the identity.
Photorealistic full-body image capturing an intimate, tense, and emotional moment between the model and an alligator. At the center of the frame is the model, tilting his head downward to gently kiss the snout of an alligator held in his arms. The scene conveys a mix of power, wild connection, and sensitivity.
The alligator’s skin features extremely detailed textures, with defined scales, bony ridges, protrusions, and serrated reliefs along its back, creating a visually tactile and powerful appearance. Its body is secured with a black tactical harness, accompanied by a heavy metal chain around its neck that also partially wraps around its torso.
The man wears a black leather cyberpunk/ranger-style jacket. The garment combines dark elegance, urban brutalism, and high-level futuristic design.
The entire scene takes place in a brutalist architectural environment made of raw textured concrete, with visible formwork marks, structural joints, and rough surfaces similar to the visual reference.
The lighting is natural, diffused, and soft, coming from an overcast day, highlighting every texture without losing drama.
The color palette consists of deep blacks, bright intense reds, cold concrete grays, and silver metallic reflections, with emphasis on close-up details of skin, leather, metal, and scales.
The visual quality must be extremely hyperrealistic: microscopic detail in human skin, reptile scales, metallic surfaces, and concrete, with maximum sharpness and cinematic depth.
The main focus is on the faces of the man and the alligator, as well as their hands, while the rest of the scene remains softly controlled to enhance the emotional intensity.